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Allen, Aaron. “Ecomusicology: Ecocriticism and Musicology.” Journal of the American Musicological Society 64.2 (2011): 391–394. Print.
Baumann, Max Peter. “Listening to Nature, Noise and Music.” The World of Music 41.1 (1999): 97–111. Print.
Chandler, Dean. “Keep My Green from Going Brown: Music as a Tool for Environmental Messaging.” M.A. Royal Roads University, 2011. Print.
Chaudhuri, Una. “‘There Must Be a Lot of Fish in That Lake’: Toward an Ecological Theater.” Theater 25.1 (1994): 23–31. Print.
Cless, Downing. “Eco-Theatre, USA: The Grassroots Is Greener.” The Drama Review 40.2 (1996): 79–102. Print.
Cohen-Cruz, Jan, ed. Radical Street Performance: An International Anthology. London: Routledge, 1998. Print.
Cohen, Sara. “Bubbles, Tracks, Borders and Lines: Mapping Music and Urban Landscape.” Journal of the Royal Musical Association 137.1 (2012): 135–170. Print.
—. “Sounding out the City: Music and the Sensuous Production of Place.” Transactions of the Institute of British Geographers 20.4 (1995): 434–446. Print.
Connell, John, and Chris Gibson. Sound Tracks: Popular Music, Identity and Place. London: Routledge, 2002. Print.
Dayan, Peter. “On Nature, Music, and Meaning in Debussy’s Writing.” 19th-Century Music 28.3 (2005): 214–229. Print.
Demers, Maurice, and André Moreau. “Théâtre d’environnement : 1971.” Jeu : Revue de théâtre 7 (1978): 42–50. Print.
Erlmann, Veit. “The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s.” Public Culture 8.3 (1996): 467–487. Print.
Giannachi, Gabriella. “Representing, Performing and Mitigating Climate Change in Contemporary Art Practice.” Leonardo 45.2 (2012): 124–122. Print.
Gray, Patricia et al. “The Music of Nature and the Nature of Music.” Science 291.5501 (2001): 52–54. Print.
Hayes, Martin. “Music and Place: Connecting the Past to the Future.” Building Material 13 (2005): 14–15. Print.
Heinlein, Kurt. “Green Theatre: Proto-Environmental Drama and the Performance of Ecological Values in Contemporary Western Theatre.” Ph.D. Louisiana State University and Agricultural & Mechanical College, 2006. Print.
Ingram, Dave. The Jukebox in the Garden: Ecocriticism and American Popular Music Since 1960. Amsterdam: Rodopi, 2010. Print.
Ingram, David. “‘The Clutter of the Unkempt Forest’: John Cage, Music and American Environmental Thought.” American Studies 51.4 (2006): 567–579. Print.
Karabey, Bugra. “Cry of Nature: A Plant Interfaces with the World Using Musica.” Leonardo 43.3 (2010): 310–311. Print.
Keil, Charles, and Steven Feld. Music Grooves: Essays And Dialogues. 2nd ed. Chicago: University of Chicago Press, 2005. Print.
Kershaw, Baz. “Ecoactivist Performance: The Environment As Partner in Protest?” The Drama Review 46.1 (2002): 118–130. Print.
—. “The Theatrical Biosphere and Ecologies of Performance.” New Theatre Quarterly 16.02 (2000): 122–130. Cambridge Journals Online. Web.
Leyshon, Andrew, David Matless, and George Revill. “The Place of Music.” Transactions of the Institute of British Geographers 20.4 (1995): 423–433. Print.
—, eds. The Place of Music. New York: The Guilford Press, 1998. Print.
Malamud, Randy. “A New Breed of Environmental Film.” The Chronicle of Higher Education 54.33 (2008): B19–B21. Print.
May, Theresa. “Greening the Theater: Taking Ecocriticism from Page to Stage.” Interdisciplinary Literary Studies 7.1 (2005): 84–103. Print.
Mighetto, Lisa. “Going Wild.” Environmental History 12.2 (2007): 337–340. Print.
“Music of Nature.” Watson’s Art Journal 8.6 (1867): 87. Print.
Peters, Steve. “Music/Sound.” Blog. N.p., 2013. Web. 14 June 2013.
Rosenthal, Cindy. “The ‘Common Green/Common Ground’ Performance Project: The Personal, the Political, the Gardens, and NYU.” The Drama Review 46.3 (2002): 132–164. Print.
Rosenthal, Debra. “ ’Hoods and the Woods: Rap Music as Environmental Literature.” Journal of Popular Culture 39.4 (2006): 661–676. Print.
Rothenberg, David, and Marta Ulvaeus, eds. The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts. Middletown: Wesleyan University Press, 2001. Print.
Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge: MIT Press, 2010. Print.
Schafer, Murray. The Soundscape. Rochester: Destiny Books, 1993. Print.
Sowell, Debra. “Romantic Landscapes for Dance: Ballet Narratives and Edmund Burke’s Theory of the Sublime.” Dance Chronicle 34.2 (2011): 183–216. Print.
Szerszynski, Bronislaw, Wallace Heim, and Claire Waterton, eds. Nature Performed: Environment, Culture and Performance. Oxford: Wiley-Blackwell, 2004. Print.
“The Acoustic Ecology Institute.” N.p., n.d. Web. 14 June 2013.
Titon, Jeff. “Music and Sustainability: An Ecological Viewpoint.” The World of Music 51.1 (2009): 119–137. Print.
Watkins, Holly. “Musical Ecologies of Place and Placelessness.” Journal of the American Musicological Society 64.2 (2011): 404–408. Print.

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