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Andrews, Malcolm. Landscape and Western Art. Oxford: Oxford University Press, 1999. Print.
Baker, Steve. Picturing the Beast: Animals, Identity, and Representation. Champaign: University of Illinois Press, 2001. Print.
Bawden, Heath. “Art and Nature.” The Journal of Philosophy, Psychology and Scientific Methods 7.19 (1910): 521–526. Print.
Berleant, Arnold. The Aesthetics of Human Environments. Peterborough: Broadview Press, 2007. Print.
Bhattacharya, Adarshvadi. “Art and Nature.” Indian Literature 17.1 (1974): 34–42. Print.
Boi, Yves-Alain, and Rosalind Krauss. Informe, mode d’emploi. Paris: Centre Georges Pompidou, 1996. Print.
Bousé, Derek. Wildlife Films. Philadelphia: University of Pennsylvania Press, 2000. Print.
Bozak, Nadia. The Cinematic Footprint: Lights, Camera, Natural Resources. New Brunswick: Rutgers University Press, 2011. Print.
Brereton, Pat. Hollywood Utopia: Ecology in Contemporary American Cinema. Bristol: Intellect Ltd, 2004. Print.
Burnett, Ron. Cultures of Vision: Images, Media, and the Imaginary. Bloomington: Indiana University Press, 1995. Print.
Burt, Jonathan. Animals in Film. London: Reaktion Books, 2002. Print.
Carlson, Allen. Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture. London: Routledge, 2002. Print.
—. “The Aesthetic Appreciation of Environmental Architecture under Different Conceptions of Environment.” Journal of Aesthetic Education 40.4 (2006): 77–88. Print.
—. “The Aesthetics of Environmental Architecture and Landscape, Territory, and Terrain.” Building Material 13 (2005): 60–63. Print.
Carmichael, Deborah, ed. The Landscape of Hollywood Westerns: Ecocriticism in an American Film Genre. Salt Lake City: University of Utah Press, 2006. Print.
Casey, Edward. Earth-Mapping: Artists Reshaping Landscape. Minneapolis: University of Minnesota Press, 2005. Print.
Chase, Richard. “Art, Nature, Politics.” The Kenyon Review 12.4 (1950): 580–594. Print.
Chris, Cynthia. Watching Wildlife. Minneapolis: University of Minnesota Press, 2006. Print.
Clark, Kenneth. Landscape Into Art. London: Harper & Row, 1976. Print.
Cole, Douglas. “Early Artistic Perceptions of the British Columbia Forest.” Journal of Forest History 18.4 (1974): 128–131. Print.
Cook, Ramsay. “Landscape Painting and National Sentiment in Canada.” Historical Reflections 1.2 (1974): 263–283. Print.
Cubitt, Sean. EcoMedia. Amsterdam: Rodopi, 2005. Print.
Curtis, David. “Creating Inspiration: The Role of the Arts in Creating Empathy for Ecological Restoration.” Ecological Management & Restoration 10.3 (2009): 174–184. Print.
Desrochers, Christine. “Stratégie écologiques dans le bioart : Mel Chin et le Critical Art Ensemble.” ETC 75 (2006): 6–9. Print.
Dewey, John. Art as Experience. Carbdondale: Southern Illinois University Press, 1934. Print.
Dobrin, Sidney, and Sean Morey. Ecosee: Image, Rhetoric, Nature. Albany: SUNY Press, 2009. Print.
Dunaway, Finis. “Gas Masks, Pogo, and the Ecological Indian: Earth Day and the Visual Politics of American Environmentalism.” American Quarterly 60.1 (2008): 67–99. Print.
—. Natural Visions: The Power of Images in American Environmental Reform. Chicago: University Of Chicago Press, 2008. Print.
Dunn, David. “Wilderness as Reentrant Form: Thoughts on the Future of Electronic Art and Nature.” Leonardo 21.4 (1988): 377–382. Print.
Fisher, John Andrew. “Is It Worth It? Lintott and Ethically Evaluating Environmental Art.” Ethics, Place & Environment 10.3 (2007): 279. Print.
Garoian, Charles. “Art Education and the Aesthetics of Land Use in the Age of Ecology.” Studies in Art Education 39.3 (1998): 244–261. Print.
Gentry, Carol. “Fine Arts through Nature.” Art Education 39.6 (1986): 14–18. Print.
Gluck, Phyllis Gold. “Spaces, Places, Faces: Our Many Environments.” Art Education 36.5 (1983): 14–17. Print.
Godfrey, Brian. “Regional Depiction in Contemporary Film.” Geographical Review 83.4 (1993): 428–440. Print.
Gradle, Sally. “Ecology of Place: Art Education in a Relational World.” Studies in Art Education 48.4 (2007): 392–411. Print.
Gradle, Sally Armstrong. “When Vines Talk: Community, Art, and Ecology.” Art Education 61.6 (2008): 6–12. Print.
Greene, Theodore. “Beauty in Art and Nature.” The Sewanee Review 69.2 (1961): 236–268. Print.
Grodal, Torben. Embodied Visions Evolution, Emotion, Culture, and Film. Oxford: Oxford University Press, 2009. Print.
Grosz, Elizabeth. Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York: Columbia University Press, 2008. Print.
Gustafsson, Tommy, and Pietari Kääpä. Transnational Ecocinema. Chicago: University of Chicago Press, 2013. Print.
Heise, Ursula. “Plasmatic Nature: Environmentalism and Animated Film.” Public Culture 26.2 (2014): 301–318. Print.
Houser, Heather. “The Aesthetics of Environmental Visualizations: More than Information Ecstasy?” Public Culture 26.2 (2014): 319–337. Print.
Ingram, David. Green Screen. Chicago: University Of Chicago Press, 2000. Print.
Ivakhiv, Adrian. Ecologies of the Moving Image: Cinema, Affect, Nature. Waterloo: Wilfrid Laurier University Press, 2013. Print. Environmental Humanities.
—. “Green Film Criticism and Its Futures.” Interdisciplinary Studies in Literature and Environment 15.2 (2008): 1–28. Print.
Jeffrey, Ian. “Photography and Nature.” Art Journal 41.1 (1981): 26–32. Print.
Johnson, Laura. “(Environmental) Rhetorics of Tempered Apocalypticism in An Inconvenient Truth.” Rhetoric Review 28.1 (2009): 29–46. Print.
Kangas, Patrick. “Art & the Ecosystem.” The American Biology Teacher 60.1 (1998): 20–26. Print.
Knowlton, Helen. “The Painting of Landscape.” Modern Art 4.1 (1896): 11–15. Print.
Langlois, Monique. “La nature dans l’art.” ETC 38 (1997): 17–21. Print.
Lekan, Thomas. “Fractal Earth: Visualizing the Global Environment in the Anthropocene.” Environmental Humanities 5 (2014): 171–201. Print.
Light, Andrew. Reel Arguments: Film, Philosophy, and Social Criticism. New York: Basic Books, 2003. Print.
MacDonald, Scott. The Garden in the Machine. Berkeley: University of California Press, 2001. Print.
—. “Toward an Eco-Cinema.” Interdisciplinary Studies in Literature and Environment 11.2 (2004): 107–132. Print.
Macdonald, Scott. “Up Close and Political: Three Short Ruminations on Ideology in the Nature Film.” Film Quarterly 59.3 (2006): 4–21. Print.
Mańczak, Aleksandra. “The Ecological Imperative: Elements of Nature in Late Twentieth-Century Art.” Leonardo 35.2 (2002): 131–136. Print.
McKibben, Bill. The Age of Missing Information. New York: Random House, 2006. Print.
McKim, Kristi. Cinema as Weather: Stylistic Screens and Atmospheric Change. New York: Routledge, 2013. Print.
Mirzoeff, Nicholas. “Visualizing the Anthropocene.” Public Culture 26.2 (2014): 213–232. Print.
Mitman, Gregg, and William Cronon. Reel Nature: America’s Romance With Wildlife on Film. Seattle: University of Washington Press, 2009. Print.
Moravcsik, J. M. “Beauty in Art and in Nature.” Philosophical Studies: An International Journal for Philosophy in the Analytic Tradition 38.4 (1980): 325–339. Print.
Mossner, Alexa Weik von. Moving Environments: Affect, Emotion, Ecology, and Film. Waterloo: Wilfrid Laurier University Press, 2014. Print.
Murphy, Amy. “Future Traditions of Nature.” Traditional Dwellings and Settlements Review 21.1 (2009): 7–20. Print.
Murray, Robin, and Joseph Heumann. Ecology and Popular Film: Cinema on the Edge. Albany: SUNY Press, 2009. Print.
—. Gunfight at the Eco-Corral: Western Cinema and the Environment. Norman: University of Oklahoma Press, 2012. Print.
—. That’s All Folks?: Ecocritical Readings of American Animated Features. Lincoln: University of Nebraska Press, 2011. Print.
—. “The First Eco-Disaster Film?” Film Quarterly 59.3 (2006): 44–51. Print.
Narine, Anil, ed. Eco-Trauma Cinema. New York: Routledge, 2014. Print.
Nisbet, Matt. “Evaluating the Impact of The Day After Tomorrow.” Committee for Skeptical Inquiry. N.p., 16 June 2004. Web. 13 June 2013.
O’Brien, Paul. “Art and Ecology: A New Orthodoxy.” Circa 60 (1991): 18–25. Print.
Palmer, Chris. Shooting in the Wild: An Insider’s Account of Making Movies in the Animal Kingdom. San Francisco: Sierra Club Books, 2010. Print.
Parak, Gisela. “Eco-Images: Historical Views and Political Strategies.” Rachel Carson Center Perspectives 1 (2013): 1–90. Print.
Podeschi, Christopher. “The Nature of Future Myths: Environmental Discourse in Science Fiction Film, 1950-1999.” Sociological Spectrum 22.3 (2002): 251–297. Print.
Pollio, Howard et al. “Cultural Meanings of Nature: An Analysis of Contemporary Motion Pictures.” Journal of Psychology 137.2 (2003): 117. Print.
Prince, Hugh. “Landscape through Painting.” Geography 69.1 (1984): 3–18. Print.
Rapaport, Herman. Is There Truth in Art?. Ithaca: Cornell University Press, 1997. Print.
Rodning, Christopher. “Place, Landscape, and Environment: Anthropological Archaeology in 2009.” American Anthropologist 112.2 (2010): 180–190. Print.
Rust, Stephen, Salma Monani, and Sean Cubitt. Ecocinema Theory and Practice. London: Routledge, 2012. Print.
Saisselin, R. G. “Art Is an Imitation of Nature.” The Bulletin of the Cleveland Museum of Art 52.2 (1965): 34–44. Print.
Schenk, Franziska, and Andrew Parker. “Iridescent Color: From Nature to the Painter’s Palette.” Leonardo 44.2 (2011): 108–139. Print.
Schwartz, Joan. “Photographic Reflections: Nature, Landscape, and Environment.” Environmental History 12.4 (2007): 966–993. Print.
Severino, Alexander. “Nature and Art: Environment for Creative Behavior.” Theory Into Practice 9.3 (1970): 161–167. Print.
Shapiro, Gary. Earthwards: Robert Smithson and Art after Babel. Berkeley: University of California Press, 1995. Print.
Shiner, L. E. The Invention of Art: A Cultural History. Chicago: University of Chicago Press, 2003. Print.
Simondon, Gilbert. Du mode d’existence des objets techniques. Paris: Aubier, 2001. Print.
Simus, J. “Environmental Art and Ecological Citizenship.” Environmental Ethics 30.1 (2008): 21–36. Print.
Sioui Durand, Guy. “Art/Nature : l’été d’art de tous les jardins.” Inter : Art actuel 81 (2002): 62–64. Print.
Sonfist, Alan. Art in the Land: A Critical Anthology of Environmental Art. New York: Dutton, 1983. Print.
SSHRC Storyteller: Anita Girvan. N.p., 2013. Film.
Stankiewicz, Mary Ann, and Don Krug. “Art & Ecology.” Art Education 50.6 (1997): 4–5. Print.
Struck, Wolfgang. “Genesis, Retold: In Search of an Atlas of the Anthropocene.” Environmental Humanities 5 (2014): 217–232. Print.
Sultan, Altoon. “Culture/Cultivation: Thoughts on Painting the Landscape.” Art Journal 57.4 (1998): 91–95. Print.
Thornes, John. “A Rough Guide to Environmental Art.” Annual Review of Environment and Resources 33.1 (2008): 391–411. Print.
Tippett, Maria. “Emily Carr’s Forest.” Journal of Forest History 18.4 (1974): 133–137. Print.
Uddin, Lisa. “Bird Watching: Global-Natural Worlds and the Popular Reception of Winged Migration.” Reconstruction 2007. Print.
Uzel, Jean-Philippe. “Qu’est-ce qui est « public » dans l’« art public »?” ETC 42 (1998): 40–42. Print.
Vaillancourt, Armand. “Propos sur la sculpture environnementale.” Intervention 8 (1980): 44–46. Print.
Vivanco, Luis. “Seeing Green: Knowing and Saving the Environment on Film.” American Anthropologist 104.4 (2002): 1195–1204. Print.
Wallen, Ruth. “Of Story and Place: Communicating Ecological Principles through Art.” Leonardo 36.3 (2003): 179–185. Print.
Wells, Paul. The Animated Bestiary: Animals, Cartoons, and Culture. New Brunswick: Rutgers University Press, 2009. Print.
Whitley, David. The Idea of Nature in Disney Animation. Aldershot: Ashgate Publishing, 2008. Print.
Willoquet-Maricondi, Paula. Framing the World: Explorations in Ecocriticism and Film. Charlottesville: University of Virginia Press, 2010. Print.

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