Visual Arts (Tag)

Andrews, Malcolm. Landscape and Western Art. Oxford; New York: Oxford University Press, 1999. Print.

Appleton, Jay. The Experience of Landscape. Chichester [u.a.: Wiley, 1996. Print.

Baker, Steve. Picturing the Beast: Animals, Identity, and Representation. New edition edition. University of Illinois Press, 2001. Print.

Becket, Fiona, and Terry Gifford. Rodopi, 2007. Print.

Berleant, Arnold. The Aesthetics of Human Environments. Peterborough, Ont.: Broadview Press, 2007. Print.

Boi, Yves-Alain, and Rosalind Krauss. Informe, mode d’emploi. CENTRE GEORGES POMPIDOU, 1996. Print.

Bousé, Derek. Wildlife Films. University of Pennsylvania Press, 2000. Print.

Bozak, Nadia. The Cinematic Footprint: Lights, Camera, Natural Resources. Rutgers University Press, 2004. Print.

Braun, Bruce. The Intemperate Rainforest. N. p., 2002. Web. 3 June 2013.

Brereton, Pat. Hollywood Utopia: Ecology in Contemporary American Cinema. Intellect Ltd, 2004. Print.

Buell, Lawrence et al. A Keener Perception: Ecocritical Studies in American Art History. 1 edition. University Alabama Press, 2009. Print.

Bull, Michael, and Les Back, eds. The Auditory Culture Reader. 1st ed. Bloomsbury Academic, 2004. Print.

Burnett, Ron. Cultures of Vision: Images, Media, and the Imaginary. Indiana Univ Pr, 1995. Print.

Burt, Jonathan. Animals in Film. Reaktion Books, 2002. Web. 12 June 2013.

Carlson, Allen. Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture. London; New York: Routledge, 2002. Print.

Carmichael, Deborah A., ed. The Landscape of Hollywood Westerns: Ecocriticism in an American Film Genre. 1st Edition. University of Utah Press, 2006. Print.

Casey, Edward S. Earth-Mapping: Artists Reshaping Landscape. Minneapolis: University of Minnesota Press, 2005. Print.

Chris, Cynthia. Watching Wildlife. N. p., 2006. Web. 12 June 2013.

Clark, Kenneth. Landscape Into Art. London: J. Murray, 1949. Print.

Cole, Douglas. “Early Artistic Perceptions of the British Columbia Forest.” Journal of Forest History 18.4 (1974): 128–131. Web. 10 June 2013.

Cook, Ramsay. “Landscape Painting and National Sentiment in Canada.” Historical Reflections / Réflexions Historiques 1.2 (1974): 263–283. Web. 10 June 2013.

Cubitt, Sean. EcoMedia. Rodopi, 2005. Print.

Curtis, David J. “Creating Inspiration: The Role of the Arts in Creating Empathy for Ecological Restoration.” Ecological Management & Restoration 10.3 (2009): 174–184. Web. 24 May 2013.

Desrochers, Christine. “Stratégie écologiques dans le bioart : Mel Chin et le Critical Art Ensemble.” ETC 75 (2006): 6–9. Web. 10 June 2013.

Dewey, John. Art as Experience. New York: Berkley Pub. Group, 2005. Print.

Dobrin, Sidney I, and Sean Morey. Ecosee: Image, Rhetoric, Nature. Albany: SUNY Press, 2009. Print.

Dunaway, Finis. Natural Visions: The Power of Images in American Environmental Reform. Reprint edition. University Of Chicago Press, 2008. Print.

Fisher, John Andrew. “Is It Worth It? Lintott and Ethically Evaluating Environmental Art.” Ethics, Place & Environment 10.3 (2007): 279. Web. 27 May 2013.

Gradle, Sally. “Ecology of Place: Art Education in a Relational World.” Studies in Art Education 48.4 (2007): 392–411. Web. 28 May 2013.

Grodal, Torben. Embodied Visions Evolution, Emotion, Culture, and Film. Oxford University Press, 2009. Print.

Grosz, Elizabeth. Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York [u.a.: Columbia Univ. Press, 2008. Print.

Gustafsson, Tommy, and Pietari Kääpä. Transnational Ecocinema. The University of Chicago Press, 2013. Web. 26 June 2013.

Ingram, David. Green Screen. University Of Chicago Press, 2000. Web. 12 June 2013.

Ivakhiv, Adrian. Ecologies of the Moving Image- Cinema, Affect, Nature. Wilfrid Laurier University Press, 2013. Web. 23 May 2013. Environmental Humanities.

—. “Green Film Criticism and Its Futures.” Interdisciplinary Studies in Literature and Environment 15.2 (2008): 1–28. Web. 12 June 2013.

Langlois, Monique. “La nature dans l’art.” ETC 38 (1997): 17–21. Web. 10 June 2013.

Light, Andrew. Reel Arguments: Film, Philosophy, and Social Criticism. Basic Books, 2003. Print.

—. The Aesthetics of Everyday Life. New York: Columbia University Press, 2005. Web. 1 Sept. 2013.

MacDonald, Scott. The Garden in the Machine. University of California Press, 2001. Web. 26 June 2013.

—. The Garden in the Machine: A Field Guide to Independent Films About Place. University of California Press, 2001. Print.

—. “Toward an Eco-Cinema.” Interdisciplinary Studies in Literature and Environment 11.2 (2004): 107–132. Web. 13 June 2013.

Macdonald, Scott. “Up Close and Political: THREE SHORT RUMINATIONS ON IDEOLOGY IN THE NATURE FILM.” Film Quarterly 59.3 (2006): 4–21. Web. 13 June 2013.

Massumi, Brian. Semblance and Event: Activist Philosophy and the Occurrent Arts. MIT Press, 2011. Print.

Mańczak, Aleksandra. “The Ecological Imperative: Elements of Nature in Late Twentieth-Century Art.” Leonardo 35.2 (2002): 131–136. Web. 28 May 2013.

McKibben, Bill. The Age of Missing Information. Random House Trade Paperbacks, 2006. Print.

McKim, Kristi. Cinema as Weather: Stylistic Screens and Atmospheric Change. Routledge, 2013. Print.

Megan C. McShane. “The Manifest Disharmony of Ephemeral Culture: Art, Ecology, and Waste Management in American Culture.” Critical Studies 15.1 (2001): 341–359. Print.

Mitman, Gregg, and William Cronon. Reel Nature: America’s Romance With Wildlife on Film. 2nd ed. University of Washington Press, 2009. Print.

Murray, Robin L, and Joseph K Heumann. Gunfight at the Eco-Corral: Western Cinema and the Environment. Norman: University of Oklahoma Press, 2012. Print.

Murray, Robin L., and Joseph K. Heumann. That’s All Folks?: Ecocritical Readings of American Animated Features. University of Nebraska Press, 2011. Print.

Murray, Robin L, and Joseph K Heumann. Ecology and Popular Film: Cinema on the Edge. Albany: SUNY Press, 2009. Print.

Nisbet, Matt. “Evaluating the Impact of The Day After Tomorrow.” CFi. N. p., 16 June 2004. Web. 13 June 2013.

Palmer, Chris. Shooting in the Wild: An Insider’s Account of Making Movies in the Animal Kingdom. San Francisco, CA; [Berkeley, Calif.]: Sierra Club Books ; Distributed by Publishers Group West, 2010. Print.

Piper, Liza, and Lisa Szabo-Jones. Sustaining the West- Cultural Responses to Western Environments, Past and Present. Wilfrid Laurier University Press, 2014. Web. 23 May 2013. Environmental Humanities.

Podeschi, Christopher W. “The Nature of Future Myths: Environmental Discourse in Science Fiction Film, 1950-1999.” Sociological Spectrum 22.3 (2002): 251–297. Web. 13 June 2013.

Pollio, Howard R. et al. “Cultural Meanings of Nature: An Analysis of Contemporary Motion Pictures.” Journal of Psychology 137.2 (2003): 117. Web. 13 June 2013.

Rapaport, Herman. Is There Truth in Art? Ithaca [u.a.: Cornell Univ. Press, 1997. Print.

Rust, Stephen, Salma Monani, and Sean Cubitt. Ecocinema Theory and Practice. Routledge, 2012. Print.

Schwartz, Joan M. “Photographic Reflections: Nature, Landscape, and Environment.” Environmental History 12.4 (2007): 966–993. Web. 27 May 2013.

Shapiro, Gary. Earthwards: Robert Smithson and Art after Babel. Berkeley: University of California Press, 1995. Web. 1 Sept. 2013.

Shiner, L. E. The Invention of Art: A Cultural History. Chicago, IL: University of Chicago Press, 2003. Print.

Simondon, Gilbert. Du mode d’existence des objets techniques. [Paris]: Aubier, 2001. Print.

Simus, J. “Environmental Art and Ecological Citizenship.” Environmental Ethics 30.1 (2008): 21–36. Web. 27 May 2013.

Sioui Durand, Guy. “Art/Nature : l’été d’art de tous les jardins.” Inter : Art actuel 81 (2002): 62–64. Web. 10 June 2013.

Sonfist, Alan. Art in the Land: A Critical Anthology of Environmental Art. New York: Dutton, 1983. Print.

SSHRC Storyteller: Anita Girvan. N. p., 2013. Film.

Thornes, John E. “A Rough Guide to Environmental Art.” Annual Review of Environment and Resources 33.1 (2008): 391–411. Web. 24 May 2013.

Tippett, Maria. “Emily Carr’s Forest.” Journal of Forest History 18.4 (1974): 133–137. Web. 10 June 2013.

Uddin, Lisa. “Bird Watching: Global-Natural Worlds and the Popular Reception of Winged Migration.” Reconstruction 2007. Web. 13 June 2013.

Uzel, Jean-Philippe. “Qu’est-ce qui est « public » dans l’« art public »?” ETC 42 (1998): 40–42. Web. 10 June 2013.

Vaillancourt, Armand. “Propos sur la sculpture environnementale.” Intervention 8 (1980): 44–46. Web. 10 June 2013.

Vivanco, Luis A. “Seeing Green: Knowing and Saving the Environment on Film.” American Anthropologist 104.4 (2002): 1195–1204. Web. 13 June 2013.

Wallen, Ruth. “Of Story and Place: Communicating Ecological Principles through Art.” Leonardo 36.3 (2003): 179–185. Web. 28 May 2013.

Wells, Paul. The Animated Bestiary: Animals, Cartoons, and Culture. New Brunswick, N.J.: Rutgers University Press, 2009. Web. 26 June 2013.

Whitley, David. The Idea of Nature in Disney Animation. Aldershot, Hampshire; Burlington, VT: Ashgate, 2008. Print.

Willoquet-Maricondi, Paula. Framing the World: Explorations in Ecocriticism and Film. Charlottesville: University of Virginia Press, 2010. Web. 26 June 2013.
Yusoff, Kathryn, and Jennifer Gabrys. “Climate Change and the Imagination.” Wiley Interdisciplinary Reviews: Climate Change 2.4 (2011): 516–534. Web. 29 May 2013.


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